To hear dad tell it, him and Uncle Ernie
spent the sixties slicing albumen paper
for the creaking matrons of Hartlepool
to present to one another when calling.
Ernie would pick farthings out the noses
or ears of their buttoned-up children,
puddings in sailor suits on the ton-heavy chair,
until the smell of hypo and mag flash
sent him running to the Cambridge halls.
The Great Ernesto. Roar of the greasepaint.
In the end he had to open a studio,
do a nice line in ladies’ cartes de visite,
though the restless twitch never left.
He once pawned the four-lens Disdéri
for a double-bass, and the lord alone knows
what his poor daughters lived on, says mum,
knowing fine well they’re music teachers.
I’d snap it if I could, this endless blue,
but the Gazette would never take it, blue
not really showing well in half-tone grey.
Open water? Where’s the story? none to see.
What you need’s a squaddie carrying his mate
like a bag of flour on his shoulders,
face clear and bright in the Dardanelles sun,
or a treacherous Serb writhing away
from the blurry hands of his armed guard.
The dramas of this war look good
when they’re shown in black and white,
if I had a thing to shoot I could show you.
I know when to lift the print out the bath,
since nine I’ve been getting the drape right
on the velvet curtain behind that chair,
and now dad’s on about this Autochrome.
He says in the future everything will be in colour.
Footnotes
Ernest Clennett was listed on various censuses as a photographer, magician and musician. Two of his daughters were listed as music teachers.
Disdéri was a French photographer who patented a way of making eight calling cards on one sheet of paper using a camera with four lenses.
Local and national papers sometimes paid for amateur snaps taken by servicemen on the newly-invented portable Kodak camera.
The famous image of heroism in Gallipoli was in fact staged by the photographer Ernest Brooks.
One of the first live-action reportage photographs ever taken was of the arrest of Gavrilo Princip, the Black Hand member who killed Archduke Franz Ferdinand.
Autochrome was a colour photography process first marketed by the Lumiere brothers in 1907. I have imagined it getting to Hartlepool a little later than Paris!
Arthur Clennett Junior died aged 17, before he could take over the family photography business.
An exciting new element has been added to the ‘Heroism & Heartbreak’ Project – a Poet in Residence.
This new section of the website will feature a number of pieces of work from local poet and performer Kirsten Luckins, (www.kirstenluckins.wordpress.com), who has very kindly agreed to be our voluntary Poet in Residence for the duration of the project.
In 2014 Kirsten’s first solo show, The Moon Cannot Be Stolen, came second in the Saboteur Awards for Best Spoken Word Show. She has been a finalist in the BBC National Slam, twice longlisted for the York Literature Prize, and shortlisted for the Wenlock International Poetry Prize 2015.
Kirsten has been published in many poetry magazines, and her first full collection will be published by Burning Eye in 2016. She is also the north-east programme co-ordinator for performance poetry organisation Apples and Snakes.
Please note that some of Kirsten's poetry contains adult content.